Assignment 4: West Dean

A Sense of Place

West Dean College

"In 1964, Edward James conveyed his family mansion, art collection and Estate to The Edward James Foundation, a charitable educational trust. The creation of such a trust averted the fragmentation that death duties would have dictated and allowed the materialisation of Edward's vision: creating a community where the Estate supports a college dedicated to the arts and crafts.  crafts. In 1971, Edward James's vision became a reality when the gates of his family Estate were opened under the auspices of West Dean College."
http://www.westdean.org.uk/WestDeanHomepage.aspx

The building is faced in knapped flints and these cause it to shine in sunlight.

This facing material covers the entire exterior of the house.

Rear.

The West wing.

The service buildings and workshops of the East wing.

The enclosed courtyard.

The Setting

 Works of art fill the house and spill out into the surrounding land.

The Lavant river divides the front lawn and house from pasture land.

 The Lavant is a winterbourne, occasionally drying up completely in summer, and an iron fence, hidden in the ha-ha, stops the sheep invading the lawn.

The grounds contain many exotic and interesting trees.  This horse chestnut has never suffered the presence of grazing animals.

Though it has been made into a work of art.

The grounds are open to students and to vistors to the West Dean gardens.

The Studios

The old Orangery is now a workshop:

This group of students is experiencing abstract acrylics.

As part of conversion to an educational establishment, the original building has been extended to provide workshop space.

This roof has been inserted:

Creating a large workshop that can be divided up by partitions:

Individual power sources dangle from the roof.

There are workshops in other parts of the building: Life drawing.

And pottery.

Here, making a pot from slabs of clay is being demonstrated.

While some potters used the wheel, other pots were begun as pinch pots

 and extended by adding coils or rings of clay.

The turntable is an ancient device to enable the potter to produce a symmetrical, round pot without having to move round it.

 

Hanging pre-prepared endpapers for a book-binding course.

 

Abstract in progress.

A finshed piece of work.

 

Services 

An establishment like West Dean has to offer services:

Refectory.

 

Shop for artists' materials.

  

 Maintenance of a big estate like West Dean is a continuing process.

 

"All of the heating and hot water needs of West Dean College (and parts of the village) are met entirely, and on a sustained basis, by using wood fuel grown on the West Dean Estate. The biomass district heating scheme was one of the first, and remains one of the largest of its kind, in the UK." 

http://www.westdean.org.uk/Estate/Environment/WoodFiredHeatingSystem.aspx

Events

It's always a job to make ends meet, and therefore West Dean hosts events through the year.

This group of tipis was used for a most romantic wedding.

 

Most of the events require: 

Tents...

Are erected on the lawn in front of the house.

What a super holly-leaf!

These white tents were erected for the college's recent Fusion festival, intended to raise interest in the work of the college.

Setting up for the Chilli Festival.

Which requires certain essential supplies.

 

Events can involve some of the fun of the fair.

 

But West Dean's primary objective is the teaching of arts and crafts. 

 And it's a beautiful place

Documents



For copyright reasons, photography is not normally permitted in the house.  It contains many art works and curios, including Salvador Dali Kiss sofas and the diver's helmet from which Edward James rescued the surrealist painter.  I applied for permission to photograph in the studios and was issued with a pass.

 

I also produced a Model Release form, which people in the studios completed for me:

 

The Assignment

 I've visited West Dean many times and am familiar with it and the surrounding area.  The plan for the project specified three phases: the building and its setting; the workshops, students and tutors; the other activities, and I have stuck fairly closely to this.  I had a week to complete the photography but found a day's photography very tiring, so I take days off for rest and relaxation.

 

I was fascinated by the potters, who were going to do a Raku firing later in the week and would have liked to spend more time with them.

Though I did manage to take a picture of the outdoor kilns being used.

 

I have visited, but not included: the popular West Dean gardens; the Parish Church of St Andrew, West Dean; the village of West Dean; the substantial West Dean estate; the Goodwood (horse) racecourse, which lies beyond the hills at the front of the house.

 

A few of the photographs above result from earlier visits, and I can see in them how much I have developed as a photgrapher in this course.  There are lots of better things I could have done with those beer barrels!

 

I've learned a lot: a project like this requires not just planning and preparation. It needs discipline and sensitivity to the condition of both photographer and subjects. Both can become tired by the intensity of the process, and need a rest. I have to be careful not to wear out myself, or my welcome. People working together tend to form close groups, and the photographer can become regarded as an intruder, and his presence as oppressive.

I hope that my next project will be informed by all I've learnt so far.

Fiddling In Photoshop

These are the Shrewsbury Lasses, Morris dancers, performing in Shrewsbury.  I moved round and tried several angles, but there was always background clutter.  One photographer addressed this issue by holding his camera up on a monopod, taking overhead shots, but I doubt if this removed all the clutter and it's an odd viewpoint.  I decided to see what I could do in Photoshop.  Here's my original photograph.

The worst distractions are the yellow coat, left; the burgundy coat, centre; the lilac cardigan, right; and the To Let sign.  I disregarded the two photographers, left.  The obvious answer to the cardigan is cropping, but that was the least problem.  I tried desaturating and darkening them:

The yellow coat still stands out; a most odd, unnatural mustard.  It's clear something's been done to it.  I desaturated them completely:

The horrible coat's now off-white and passable, I suppose.  I burned it darker:

And it looks peculiar again.  I decided on a different approach: Spielberg's girl in the red coat.

And, with the accordion player:

And, cropped to A4, removing the cardigan and litter bin:

However, I think the bin needs to be there, to anchor that corner:

...And balance the one by the accordionist.  The photographers are a little obtrusive, but they fill the gap between dancers and musician.

 

I then looked at cropping just the dancers.  Working with an earlier version:

But the To Let sign is obtrusive.  I removed it:

And the space top right is now too big; it draws attention away from the dancers, allowing the viewer's attention to leak out.  I hadn't realised the sign had a useful function.  Here it is, darkened and with reduced contrast, on the version with a monochrome background:

I suppose I could darken the sky...

I think that's it.

There are still faults, stemming from the original photograph.  Primarily the shop lettering and the clutter.  It would have been nice to preserve the dancers' shadows in the crop.  I guess the main lesson re-learned is that a little time behind the camera can save an awful lot in front of the computer.